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One thing is sure, Fitzgerald loved this book, and this makes him a good representative of Dickens’ contemporaries, for whom literary comic genius reached its height in Pickwick. Fitzgerald is playing a Pickwickian version of “The Game” beloved of Sherlockians, though he is not a pure exponent, for at times he switches from treating it as a real court case to extolling the genius of the writer who could have created such comic delights. His book, published when he was an old man and Dickens was long dead, purports to be a commentary on the titular legal case. He was able to remove it from the novel’s larger context in these readings partly because his audience were familiar with the novel in any case, but also because the sub-plot stands alone easily without the scaffolding of the novel.įitzgerald was a lawyer, and also a friend and admirer of Dickens.
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The court case was one of the most popular sections of the novel, and one of Dickens’ most popular readings when he went out on his famous reading tours much later in his career. You definitely don’t have to have read Pickwick to appreciate this book. This is worth reading before the main text as it gives a good overview of the legal issues involved, pointing out that they are no longer part of the law and so will be unfamiliar to the reader, and also provides the excerpt from Pickwick where the proposal did or did not take place, a very short scene in the novel. Pickwick includes an introduction by Baroness Hale of Richmond. I might not quite have the stomach right now to retread the whole 800 pages of Pickwick, but I could have a go at the 120 pages of Pickwick v. Here was the meta text that would give me an understanding of how this once beloved book by an author I admire greatly (but equivocally) had entranced a generation and alienated posterity. Pickwick: A Dickens of a Case (originally published in 1902 read by me in the Hesperus Press 2012 edition) by Percy Fitzgerald in a book shop and thought maybe here was my way in. But I happened to see a copy of Bardell v.
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It is never adapted on screen, it does not turn up in contemporary works, unlike Two Cities, which was referenced several times in Christopher Nolan’s opus The Dark Night Rises, nor is it continuously brought up as a touch point in discussing influences on contemporary TV serials, as Bleak House is (like here and here regarding The Wire). I have never returned to it since, partly because, unlike other Dickens novels, there is rarely a stimulus to. My experience of reading Pickwick was underwhelming when I did it several years ago. Pickwick is not the least read Dickens novel (that is 1841’s Barnaby Rudge – 9,735 ratings) but it is at the lower end, and that is a fact that would have greatly surprised Dickens and his contemporary readers. On that site, Pickwick has received 26,255 ratings, while Bleak House has received 106,094, David Copperfield 210,880, Great Expectations 704,848 and A Tale of Two Cities a whopping 859,593 (all figures as of 12 November 2021).
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provides a revealing snapshot of what is read and what is not. The comparative popularity of Dickens’ different works has been almost inverted.
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Dickens’ later works, particularly from Bleak House (1852-53) onwards, were considered “forced and somber compared with the fun of his earlier ones” ( Ibid p. Pickwick was to remain the most continuously popular of all Dickens’ books to the readers of his time, and later on there were moments when its persistent appeal seemed to him something of a liability” (Stephen Wall, “Introduction”, The Dickens Heritage, p. This was an immediate publishing sensation for the young writer: “by the time the book was completed it was clear that it had completely outdistanced the previous successes of Scott. A case in point is his debut novel, The Pickwick Papers(1836-37). While Charles Dickens might seem almost as popular now as in his mid-Victorian heyday, the curious thing is that the works of his that are most enjoyed have changed drastically.